Well, to answer this question we first have another question -
What is a typical wedding video?
When this question, on the fly, many people have the same stereotypical images are created from the head - a boring Sunday afternoon, the whole family crammed into the living room only 6 hours of shaky videos shot by Uncle Bob on his handy-cam, boring shots without elaboration.
Or maybe you're lucky and you have your wedding done by a professional wedding photography -Yay!
Not so fast - 9 out of 10 cases, the videos, you pay just as boring, full of pots boring video transitions of cheese directly known of the '80s, and Cornies music loving people. The end result is the same - using sleep of your family as you want and the other half were asleep, they save some of the embarrassing videos on the wedding amazing.
The above scenario is obviously a nightmare exaggeration, this is whatdo not want in a video, but what we want? What makes a great wedding video? Well, in short, is a great video of a wedding, entertaining everyone who looks at him, and never from the DVD player. And it's all a matter of a vital component ...
A wedding video is all great fun!
If you hire a cameraman to film the wedding of your special day, you need to collect the eye to the great moments recently, all the things you remember 10 years down the line, because the smilelaughter, tears, strutting their stuff bridesmaids on the dance floor, and hi-jinks of the best man they had a beer too.
Your camera man must be capable of a great scene and mix with long shots, medium shots, not a series of shots panning for the whole room, like a gardener, grass, splash!
Videography is about subtlety, it comes to documenting your day, do not direct. The task of the wedding videographer is similarthe wedding photographer, but completely different. The photographer has to draw the couple and their guests at all important shots of the music scene. The cameraman, on the other hand, must take a back like a mix ninja! He carefully collected all the magic of your special day in a "fly-on-the-wall" documentary style. A good camera is a man without even notice.
And then there's cut. They say that the magic is in the process and they are right. Obviously, theTechnique has to be there in the film adaptation of the stage, but in the end it boils down to what is in the editing suite, which is the magic was born.
What is the treatment?
Each video is a different project and only if its video television, corporate videos, music videos, or weddings. At the end of a shot, it's the same scenario - you have a hard drive full of raw material, and you need to take the raw material and a video. This is a huge jigsaw puzzle and it takes theright-editor to do it in one piece, which maintains and employs the job viewer. So, when choosing the right videographer for wedding video, not only on his choice of a cameraman, is on the choice of an editor. A wedding video is a great cut with great, easy. When the change is not there, the video is a non-starter. A good editor constructs a scene that moves to the rhythm and the rhythm sections of the incisors, happy music, catch phrases and dynamics of the scene. An editor who knows his job is worth itWeight in gold.
And then there's the color grading ...
What color grading?
Classification color is the final stage of the manufacturing process and a specific editor to not save on this process. In fact, the color correction is so important in films that make the editors of the film is not a special "color grader," the task is given. It could be argued that the classification is the most important part of the film because it's all a matter of aesthetics of its surface, this is the movie of their"Look." A color classifier is responsible for the granting of such films as "The Matrix" and "Minority Report", which appear dark, a style called "bleach bypass", and during this view is really appropriate for a wedding, it is absolutely essential that your wedding videographer needs time to find a look that is. The classification of high-definition images from the wedding day, what color and detail exude literally jump off the screen to your video!
What about equipment?
Ain no uncertain terms, your video-makers have the right equipment, it would have been at least one professional HD camcorder having to do the job, but with the help of two, one can detect a series of large, medium and close-ups during the ceremony and speeches - Variety is everything. As of this writing these cameras are well respected and used in television, corporate videos, music videos and weddings -
Z1/Z5/Z7 Sony, Sony XDCAM EX1/EX3, AG-HVX200/201 Panasonic, Panasonic AG-HPX171, Panasonic AG-HMC151,Canon XL-H1, Canon XH-A1 Canon XH-G1, JVC GY-HD251, JVC GY-HM700.
There are many other cameras on the market, but these are some of the best in price from £ 3,000 to £ 7500.
A good cameraman is a directional microphone mounted professional camera and a microphone radio, which is on the tape during the ceremony groom, be enthusiastic, and the audio level must be first - not the "I Do" is distorted like a robot!
As for the Final Cut Pro editingApple has become the favorite of the sector, its extremely powerful software to offer a variety of editing options. Sony Vegas, Premiere Pro and Avid are also good. Magic Bullet is great for color correction, even if the color correction can be performed effectively in all applications of the above change.
Many videographers offer Blu-ray, so the video can look back on an HDTV at full high definition. This is great, but unless the video shot in high definition, have observedon a standard DVD is good. This is really like shooting the TV has worked for many years, rotated images of HD cameras and once the program is run, it will be broadcast in standard definition (with the exception of HD programming). So while Blu-ray discs are on everyone's lips, are not necessarily required.
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